[A/H Index] [^^Terms MASTER Index]
The Performed Text - CONTENT
See also: -[Performed texts]- (base info page)
See also: [Performance Art] (art technique/thing)
[Text as art material]
[Coerced performance]
-[post post-modernism]-
[Performance Absurd]
[Dada]
[Dadaism] (an art "ism")
[Performance: Frank]
[ "PARTS ONE, TWO, THREE" ]
[Performed Art]
[The Performed Art Act]
[The Performed Art Technology]
[Performed danse]
[Performed Art: Filmed]
[The Performed Score]
[The Performed UFO's] (and esp, etc)
[The Performed WEB (including programming)]
[]
[Interventionist Art]
[(art) concepts]
[Art MovementsStreet Art]
[Fluxus]
[Street Art]
The Performed Text
See also: -[Performed texts]- (base info page)
Index
{The Gold Book} (cooking)
{Harpo Speaks}
{Inside the Third Reich - Speer}
-[Hannah Weiner's SurReal Journals]-
(via: http://orpheus.ucsd.edu/speccoll/m504/)]-
The Gold Book
(cooking)
The Gold Book
In this section: {Hopping John from the Carolinas} (black eyed peas)
Hopping John from the Carolinas
(black eyed peas)
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[P. 610]
Hopping John of the Carolinas
Many lands as well as many sections of Ameica
have *special* "lucky" foods and pasteries
which are served on New Year's Day. In Holland,
for example, when a Dutch lad goes a-courting
[ie: a-courtin' ] on New Year's Day, he takes
his sweetheart a pastry made in the shape of
their initials. In Scotland, "Hogmaanany"
dumplings are customarily served on New Year's
Day, etc. Among the lucky recepies served in
various sections of the United States on New
Year's Day, is this pea (bean) dish from the
Carolinas. It is an old Southern custom to
seve it on Nw Year's Day at the noon dinner,
a ten cent piece being added to the big boal
of peaks just before it is brought to the
table. The person finding it his or her [or
nehr] plate will have good luck all year.
[But, obviously not if they swallow it and
choke to death].
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-[That block quote here]- (perf-text CONTENT)
Sorry, wrong quote. Oh here it is:
BEGIN BLOCK QUOTE
[P. 610]
Stuff
So, what are the aesthetics of peformance art as opposed
to theatre? Do we need restrict our definition/usage of
theatre to "traditional theatre" -- whatever that is; ie,
Harpo Speaks
Marx, Harpo (Adolph/Arthur) (1985). Harpo Speaks.
New York: Limelight Press.
ISBN 0.87910.036.2
In this section: {The Croquet Game}
{Club Membership}
{Notable Quotables}
{How they got their names}
Club Membership
In scene reminiscent of Groucho's exclusion
from a club which reversed its decision when
they found out who "Jules Marx" was. Prompting
his comment, "That's all right, i wouldn't
want to be a member of any organisation that
would have someone like me as a member."
Harpo's approach carries a charm all his own:
[P. 210]
The pursuit of happiness by me and my pals
was seldom interrupted. We lived in a world
of our own. Only once in a great while did
anything occur to remind us that the bigger
world beyond our own was NOT eternally full
of fun and games.
Poverty I had never forgotten, and never
could. But meanness and stupidity I had
been spared for a long time -- until I
had an unhappy remnder in the early
summer of 1927. I made a fishing date
with Paul Bonner, a book-collector friend
of Woolcott's, and Pie Traynor, the third
baseman of the Pittsburg Pirates. i said
I'd take care of the accomodations. I
wired a hotel out in Montauk, Long Island,
for reservations.
[P. 211]
The hotel wired back: "RESERVATIONS CONFIRMED.
TRUST YOU ARE GENTILE."
I was sore as hell, but i didn't bother to
wire back. Why should i stir up a fuss and
embarrass Bonner and Traynor and ruin the
weekend? Better to turn the whole thing
into a joke.
So when I entered the Montauk hotel, i had
my pants rolled above the knees, wore a
tam o' shanter, smoked a pipe, walked
with a crooked cane, and signed in as
"Harpo MacMarx". The place was deserted.
At dinner we were the only diners.
Twenty waitresses stood around watching
us eat. I began to fell depressed, and
i finally told Bonner and Traynor what
the "joke" was. They got sore and
insisted we should move to hotel where
nobody cared what anybody's name was.
That made me feel a lot better. While
we were checking out the manager came
over to us. I said to him, "Lad could
ye dir-r-rect me to the near-r-rest
Jewish templey?" and threw him one of
my Gookie Faces and we blew the joint.
Notable Quoters
By chanse, one of the people who was
first sent to review the first "variety"
show with the Marx bothers was Alexaner
Woollcott. This game him entrance into
THE literary club in New York: The Round
Table at the Algonquin. As he mentions
in passing it's not hard to imagine why
a person like him so gifted in listening
was so welcome in such a competitive
environment of talkers.
Dramatis Personae
F.P.A.
Bernard Baruch
Benchley
Broun
Beatrice Kaufman
George Kaufman
Herman Mankiewicz
Alice Miller
Dorothy Parker
Ross
Swope
Alexander Woollcott
[P. 196]
Kaufman: Want to hear me give a sentence using
the word "punctilious"?
Woollcott: Give a sentence using the word
"punctilious".
Kaufman: I know a man who has two daughters,
Lizzie and Tillie. Lizzie is all
right, but you have no idea how
punctilious.
F.P.A: Guess whose birthday it is today!
Beatrice Kaufman: Yours?
F.P.A: No, but you're getting warm - it's
Shakespeare's.
Broun (who'd taken up oil painting): You
have no idea how hard it is to sell
a painting.
F.P.A: If it's so hard, why don't you just
try selling the canvas? I'll give
you a note to some tent-makers i
know.
[P. 198]
Broun: No more griping. Today i shall be bold,
resolute and gay!
Kaufman: I hear they've just taken in a new
partner and now the firm is Bold,
Resolute, Gay, and Berkowitz.
Charlie Chaplin (in a conv. about blood pressure)
Mine is down to 108.
Kaufman: Common or perfered?
Dorthy Parker: I met a strange fellow up in
Canada, the tallest man i ever saw, with
a scar on his forhead. I asked him how
he got the scar, and he said he must have
hit himself. I asked him how he could
reach so high. He said he guessed he must
have stood on a chair.
Famous Actress (bragging about her husband): Look
at him! Isn't he beautiful? And do you know,
i've kept him for seven years now!
Dorothy Parker: Don't worry - he'll come back in style.
Herman Mankiewicz: You know it's hard to hear what
a bearded man is sayingl. He can't speak
above a whisker.
Alice Miller (to Woollcott, on settling up a
loss at cards): You sir, are the lowest
form of life, a cribbage pimp.
Bernard Baruch (to Swope): You, sir,
are a foul-weather friend.
Benchley: Have you heard the one about the
little boy on the train?
Kaufman: (who's heard it 20 times; for some
strange reason it's Benchley's
favorite joke): No.
[P. 199]
Benchley: A man gets on the trin with his
little boy, and gives the conductor
only one ticket. "How old's your
kid?" the conductors says,k and
the father says he's four years
old. "He looks at least twelve
to me," says the conductor, and
the father says, "Can i help it
if he worries?".
Ross: This looks like a nice day for
discoveries. Let's discover something.
Maybe we could get a key and a kite and
go discover electricity.
F.P.A: I think Benjamin Franklin already did
an experiment like that. Wasn't he the
the guy who flew a kite and discovered
the air-cooled car?
Ross: Well, I could out and lie in an orchard
and let an apple hit me on the head and
discover Newton's Law of Gravity. This
could lead to the invention of the
elevator and nobody would have to walk
upstairs any more.
Kaufman: A funny thing - I happened to be
lying in an orchard this very
morning. Only it was a fig orchrd,
and a fig hit me on the head, and
that made me think of the Law of
Gravity, and i said to myself,
"This will lead to the invention
of Fig Newtons, and maybe i could
sell the idea to some big biscuit
company and make myself a fortune."
Woollcott: Well, it's buckety-buckety back
to work for little Alecky (exits
singing)
I hope you fry in hell,
I hope you fry in hell,
Heigh-ho the merry-o,
I hope you fry in hell!
How they got their names
(The naming of names)
When the Marx brothers had gotten a good
set of acts, they went on the road on the
so-called "Pantages Circuit". There mother
was a one-woman production company/promoter
costumer/etc. and they were living in
Chicago by this time; sometime after 1915.
In Rockford, Illinois....
Julius - Groucho
Leonard - Chico (Chicko)
Adolph - Harpo (also Arthur)
Milton - Gummo
Herbert - Zeppo (Zippo)
[P. 131]
... We were on the Pantages circuit, playing
a couple of local spots before making the
great swing to he West Coast and back
through Canada. In Rockford, the four of us
and a monologist named Art Fisher started
up a game of five-card stud, between shows.
At that time, there was a very popular
comic strip called "Knocko the Monk", and as
a result, there was a rash of stage names
that ended in "o". On every bill there
would be at lest one Bingo, Zingo, Socko,
or Bumpo.
There must have been a couple of them on
the bill with us in Rockford and we must
have been making cracsk about them, because
when Art Fisher started dealing a poker
hand he said, "A hole card for -- 'Harpo'.
A card fro 'Chicko'. One for --..." Now
that he'd committed himself, he had to
pass "o-names" all around the talbe.
The first two had been simple. I played the
harp and my older brother chased chicks.
For a moment Art was stuck. Then he
continued the deal. A card for "Groucho"
(he carried his dough in a "grouch bag"),
and finally a crd for "Gummo" (he had a
gumshoe way of prowling around backstage
and sneaking up on people.
We stuck with the gag handles for the
rest of the game and that, we thought,
was that. It wasn't. We couldn't get
rid of them. We were Chicko, Harpo,
Groucho, and Cummo for the rest of
the week, the rest of the season, and
the rest of our lives.
Later, when we decided to make it
official, and have our Art Fisher names
put on the program, the type-setter made
a mistake and left out the "k" out of
Chicko. The power of the printed word
being what it is, "Chico" is the way
it has been spelled every since.
Still later, Gummo left the act and
was replaced by Herbie, the baby of
the family. Herbie, since he was
always chinning himself and practicing
acrobatics, we named "Zippo". "Mr.Zippo"
was the star of a famous trained chimpanzee
act. Our Zippo, understandably felt we that
we were being unflattering, and he insisted
on spelling his stage name "Zeppo".
You never could tell what you might be
dealt in a poker game in those names.
Inside the Third Reich - Speer
Speer, Albert. Inside the Third Reich.
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[P. 603]
At this time [in Spandau Prison in Nuerberg,
awaiting final examination and sentencing]
the prison psychologist, G.M. Gilbert, was
going from cell to cell with a copy of the
[entire] indictment, asking the defendents
to write their comments on it. When i read
the partially evasive, partially disdainful
words of many of my fellow defendants, i
wrote to Gilbert's astonishment: "The trial
is necessary. There is a shared responsibility
for such horrible crimes even in an
authoritarian state."
I still regard it as my greatest feat
of psychic courage to have held to this
view throughout the ten months of the
trial.